ISLAND CITY CHORUS
GREATER MONTREAL CHAPTER
SPEBSQSA Inc.
The Little Chorus that could!
MINI PITCH
Date:
December 16, 2002 NO Rehearsal for the following two (2) weeks!|
COMING UP - ROB'S REQUIRED EVENTS* December 22, 2002 Singout le Marche de l'Ouest 11:30AM-12:30PM ß REVISED December 31, 2002 Show and Singaround at St. Anne's Veterans Hospital 11:00 AM - 3:00 PM ß NEW Saturday, February 1, 2003 Great Northern Harmony Workshop with FRED (1999 International Champs) Saturday, March 22, 2003 Annual Show Salle Claude Champagne with Gas House Gang ß REVISED April 4 & 5, 2003 Yankee & Mountain Divisions Contest Troy/Albany, NY [We sing 10th!] ß REVISED June 29 - July 6, 2003 SPEBSQSA International Convention MONTREAL - Schedule your vacation, now! Saturday, May 29, 2004 Annual Show Salle Claude Champagne with 4 Voices *NOTE: It is your duty to inform Rob as soon as you know you will miss any rehearsal or event. |
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COMING UP - OPTIONAL, BUT FUN and EDUCATIONAL EVENTS August 29 - September 1, 2003 Bolton Landing Barbershop Quartet Festival Labour Day Weekend's best bet May 31, 2003 Harmony Inc. Show John Rennie High School ß NEW May 31, 2003 Missing Children's Network "Walk of Hope" Beaconsfield, QC ß NEW |
Energizer Bunny arrested - charged with battery.
CarolCade 2002 was # 42!
Peter Evans did a great job organising the CarolCade for 2002, and Doug Flook did a great job keeping us on track. Lunch was at the Montreal Association for the Blind. It was another fun time singing for appreciative audiences.
Christmas wrapping at Fairview.
The Missing Children's Network will be doing Christmas wrapping at Fairview (outside Sears.) If any of you don't like to wrap,they will be there December 14, 15, 21 & 22, 2002.
Congratulations, Rob Mance!
Rob has been chosen as one of the MUS judges for the Montreal International 2003. We will still work him on other stuff before the contests start!
Need confirmation March Show
It is a mystery, but the date of the March Show was changed to March 22, to accommodate our guest quartet, The Gas House Gang. Unfortunately the date got changed back in the Mini-Pitch. The hall was reserved for the wrong night, and The Gas House Gang are not available on the 29th.
Hopefully, we are going to be able to get a hall, a director and a quartet, all available on the same night.
Stay tuned in the meantime.
Rehearse Like a Champion
Practice makes permanent. Make sure your rehearsals bring out your best with these tips from champ Mike Lawton.
By Mike Lawton, baritone, Revival, 1998 International Quartet Champion
Quartet championships are rarely won on stage. Winning a contest entails far too many variables that are not controllable by the winner. But every championship was won in the den or living room of someone's house. A quality quartet experience requires a focus on individual efforts and the expectation to rehearse and perform like champions. Combine this focus and attitude with putting the music as the #1 priority, and the winning will take care of itself.
Warm up. Devote a minimum of 20 minutes to proper vocal warm-ups before each rehearsal and every time before you sing. Start by doing a few breathing exercises that focus on the origination of the breath. Spend time working the complete vocal range from falsetto and head tone through the lower chest voice. Start lightly. Allow the voice to be vulnerable. (Bubbling, unison singing, chord exercises while vowel matching are effective warm-up tools). Focus this time on finding the sound -- that tall, round, resonant, connected, spin-filled sound that blends superbly, seems almost effortless and rings like crazy. The more you sing together, the sooner you'll find it.
Discover the song. Discover the intent of the message and incorporate it into your vocal colour, dynamics and physical presentation. Pay attention to the musical elements that make up the song, such as rhythm, meter, embellishments, solos and patters. Structure your rehearsal to devote time for each of these elements. For example, sing the song while using a metronome to solidify tempo, and set an electronic pitch pipe to maintain a continuous tone on the tonic to reaffirm the sense of "do." Above all, dedicate yourself to the ensemble sound and expect improvement.
Identify and work the trios. Often, a song will feature or highlight one of the harmony parts on the melody line, echo or patter, thus creating a trio with the other parts. Identify in the music where this occurs and rehearse those trios separately. Conversely, if the arrangement calls for your part to be featured, put in your personality and for Pete's sake, let it fly!
Incorporate duetting. Practice by often pairing all parts together -- yes, including the bari-tenor combo! You'll discover that by solidifying the relationship of each part to the others you will improve synchronisation and connection and lessen the extraneous noise (white space) in the sound, resulting in a cleaner, more pleasurable sound.
Perform, perform, perform! The way you look and act while singing during rehearsal is essentially how you'll perform on stage. No matter what other aspect of the music you're working on, incorporate the physical and visual aspects of performance as though you were on stage (yes, even when you're rehearsing in a circle). Occasionally, rehearse in front of a full-length mirror or use a video camera to tape and watch your performances. Watch it together, but only criticise your own performance. You can also do a visual 3-on-1, with one person (preferably the lead) facing the other three parts, allowing him to draw out the faces and attitudes he is looking for.
Record yourselves. Buy a hand-held audiotape recorder for each quartet member. At designated times throughout the rehearsal, record the song at its current best -- the week's baseline. During the week, while driving, listen to your part carefully, find areas for improvement, and fix them prior to the next rehearsal. Establish a new baseline each rehearsal.
Get coached regularly. The improvement of your quartet will be elevated immensely by having a knowledgeable and experienced fifth set of ears and eyes involved on a regular basis. Establish a primary coach with whom you can get together every four to six weeks. Supplement those sessions with additional coaches who will provide value in particular specialities. Plan ahead for important dates, such as contests. Don't expect coaches to perform miracles. You can have the greatest coaches in the world, but if you don't apply their knowledge, it's a waste of your time and theirs.
There are many ways to individualise these recommendations for your quartet to maximise the opportunity for consistent improvement. If you dedicate yourselves, you'll experience a fun-filled, energising and rewarding quartet experience. And who knows -- maybe even a championship!
Mike's Tips for Making the Most of Your Rehearsal Time
From the SPEBSQSA web site
Here is our current and future repertoire list:
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CURRENT |
NEW |
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Overture |
Swing, Sing, Sing Medley (For March Show) |
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I’ll Walk With God |
Luck Be A Lady Tonight (For March Show) |
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Hello Mary Lou |
Summertime (For March Show) |
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Beginning To See The Light |
If I Had My Way Dear (Spring Competition) |
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Que Reste-t-ils |
CHRISTMAS |
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Sixteen Tons |
Eight Candles |
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Steppin Out |
Scarlet Ribbons |
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Orange Coloured Sky |
Go Tell It On The Mountain |
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Words |
Santa Claus Is Coming To Town |
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How Deep Is The Ocean |
Joy To The World |
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Roses Of Picardy (Spring Competition) |
Silent Night |
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Old Fashioned Love Song |
Have Yourself A Merry Little Christmas |
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Old Black Magic |
O Come All Ye Faithful |
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Witchcraft |
Angels We Have Heard On High |
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You'll Never Walk Alone |
O Holy Night |
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Jingle Bell Rock |
Practice is something we do at home, every day, between rehearsals!
Rehearsal is where we reinforce what we have been practising every day!
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Alan Mackenzie, President |
Murray Phillips, Editor |